Now those of you that know me and of my age will be asking "why on earth did you go in the first place?". For those that don't and to give you some idea, when I fill out a survey I have to tick the box '50 - 55'. But it's not as daft an idea as it sounds, my wife is younger and evergreen, it was a leaving do for one of our fabulous work colleagues (actually about her 6th, but who's counting? Obviously me..) and I used to love night clubs in my youth, so I thought 'why not?'.
I guess my clubbing salad days were the 80's - 1980's not 1880's - and the music was fantastic. A heady mix of The Trammps, Donna Summer, Sylvester, Kool and the Gang, Michael blooming Jackson for Pete's sake, it was epic. There was melody, lyrics ('burn that mother down y'all' - almost Shakespearian), tunes and variations of pace or BPM - beats per minute - which gave the whole experience variety and tested the mixing skills of the DJ's.
|The Trammps, who performed Disco Inferno, a disco hit in 1976 but still going strong in the 80's. It's not surprising there was a fire with all that polyester around, I mean one spark..|
I appreciated that this was probably not going to be the playlist in the night club of 2015, unless it was an 'Old School' night, probably spelt 'Old Skule', which I'm never sure is done to add a sense of some juvenile element to the proceedings or just to annoy English teachers, which it does, immensely, and breathe.. However I wasn't prepared for the assault on my senses that I received upon entering the place.
At this juncture I should add that the club was on a holiday complex which clearly attracts an eclectic mix of weekend clients, in the same way that a tavern in the Pirates of the Caribbean movie might attract a range of different characters. You know the sort, one eyed sea dogs, bling covered nouveau riche, men the age of Keith Richard acting like men the age of Justin Beber, women the age of Tina Turner gyrating like Miley Cyrus, if only I was hip surgeon.. It was mainly a collection of holiday makers of all ages and young men and women from the UK and Ireland who are expats up from Dubai for the weekend searching for cheap booze, which they had apparently found quickly and in abundance. I think we in the wider world deserve a thank you from the towns and cites of Europe, as by accepting these youngsters in to our expatriate community we are stopping them from projectile vomiting in your high streets every weekend and giving them the opportunity to empty their innards in a warmer climate. Taking one for the team.
So I entered the room and immediately thought I had happened upon a worm-hole in the space time continuum because clearly I was now in Guantanomo Bay. The water boarding had obviously not worked and we were now experiencing intense white noise torture. This was music - and I use the term loosely - clearly written by someone who doesn't like your ears, I say 'your ears', I mean my ears. Reassured that I wasn't in Cuba by the lack of cigars and vintage cars, I made my way to the area our group had occupied. I should mention at this juncture that I was, as usual, the old man of the group and no-one else was phased by what they were hearing. For me it was a metronomic, electronic row. A sort of electrical version of metal dustbins being thrown down concrete stairs at regular intervals. But surely this was just one track, soon order would be restored and Variety introduced along with his friend, Tune. No, not at all. It transpires that now every thing played has been mixed to within an inch of it's life in to a monotone, mind numbing, teeth rattling assault on your senses.
|Edvard Munch, 'The Scream'. Allegedly painted after going to the same club. Honest.|
Believe it or not, I am not a stranger to modern dance music, or at least I thought I wasn't a stranger. I have Daft Punk and Pharrell Williams on in the car for goodness sake so you can understand my confidence in thinking was down with kids. But these dance tracks are clearly not trance, or acid, or crap enough for the club market so they are re-mixed until they all sound the same. After all, who needs all that song writing and creativity rubbish?
|Daft Punk, who wear masks so you can't see them crying when idiots ruin their efforts.|
One similarity with discos of old was the complete inability to talk to anyone as the sound from the speakers was too great. Hence conversations are attempted at close quarter, enabling you to smell the fags and booze on the other persons breath, mmmm, it's that heady mix of nicotine and stale alcohol á la pub carpet circa 1970. How come no-one has ever bottled that? What's not to like?
As was inevitable, one customer got in to a heated debate with a bouncer, who was more at the 'brick outhouse' end of the scale than the 'gets sand kicked in his face', so the youngster was unceremoniously removed from the establishment over the security guy's shoulder, priceless. I overheard Hades and Dante having a conversation along the lines of 'seriously, how could we have imagined this?'.
So was this my last visit to a night club? I hope not. I have fond memories from my youth (can't remember what I had for breakfast yesterday though?) of nights/mornings out with my friends, so I may have to give it one last go, but when the music played is going to be more to my liking. I want to go out on a high note as I'm sure did Steven Gerrard. In case you weren't aware he is a football player who made over 500 appearances for his club, Liverpool. Unfortunately in his last game they lost 6-1, not the finale he was hoping for. If that script had been written by Hollywood he would have headed the winner in the 90th minute, probably past a diving Sylvester Stallone, and if you get the movie reference there give yourself a bonus point. Nor a French script either, where he would have caught cholera and died on his wedding day, have you ever watched a French movie?! No, this was an English approach, 'no need to show off old boy'..